Full disclosure, readers: I can, and will, swoon with the best of them at the mere sight of a bare-chested Alexander Skarsgaard. But I’d prefer you try to read this review without the type of cynicism that involves raising one of your eyebrows to such an extent that it disappears into your hairline.
Right. Good. Let’s begin, shall we?
Against all odds – including a pretty stinking percentage on the ol’ Tomatometer, the ominous and potentially inescapable thematic spectre of white supremacy, and the likelihood of having to endure cringe-worthy damsel-in-distress situations – I actually thoroughly enjoyed this film. Read More
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Groundhog Day 2: Groundhog in the City
Dir: Joel and Ethan Coen
This review opens with a confession: I haven’t seen Barton Fink, the Coen brothers’ tale of the inherent seediness of 1940s Hollywood. This confession, however, is almost entirely unrelated to the rest of this review of Hail, Caesar!, the Coens’ latest look into of Tinseltown, this time set in the early 1950s.
Josh Brolin is Eddie Mannix, Head of Physical Production at Capitol Pictures, and the man who makes the studio’s problems go away. The film follows the many problems, in the form of other human beings, that tug on planet Eddie like a series of satellites. They mess with his tides, but none of them seriously threaten his orbit. Eddie Mannix is steadfastly effective. Read More