Dir: Joel and Ethan Coen
This review opens with a confession: I haven’t seen Barton Fink, the Coen brothers’ tale of the inherent seediness of 1940s Hollywood. This confession, however, is almost entirely unrelated to the rest of this review of Hail, Caesar!, the Coens’ latest look into of Tinseltown, this time set in the early 1950s.
Josh Brolin is Eddie Mannix, Head of Physical Production at Capitol Pictures, and the man who makes the studio’s problems go away. The film follows the many problems, in the form of other human beings, that tug on planet Eddie like a series of satellites. They mess with his tides, but none of them seriously threaten his orbit. Eddie Mannix is steadfastly effective. Read More